American, 1900-1982
All images below, including photographs and underlying paintings,
are protected by copyright.
Copyright affirmed and registered with the United States Copyright Office in 2022
by the James A. Richter Art Foundation.
Gallery
Impressionism period:
The decade of the 1970s
Longwarf, 1971
Acrylic on canvas, 31 x 26 inches. Signed and dated. Framed by the artist.
Townscape, 1971
Acrylic on masonite, 24 x 18.5 inches. Not signed. Framed by the artist.
Painted for the artist’s grand nephew.
Study in Blue, 1972
Acrylic on canvas, 26 x 21inches. Signed. Framed by the artist.
Sedona, 1972
Acrylic on canvas, 21 x 17.51inches. Signed. Framed by the artist.
For Jonathan, 1972
Acrylic on masonite, 12.5 x 9.51inches. Not signed. Framed by the artist.
Painted for the artist’s grand nephew after a woodblock the latter did in art class.
Palermo, 1973
Acrylic on canvas, 31.5 x 26.5 inches. Signed. Framed by the artist.
Color Studies, 1974
Acrylic on paper, 31 x 38 inches. Signed. Framed by the artist.
The Solution, 1974
Paper collage, 11 x 16 inches unframed. Not signed. Framed by the artist.
Created in honor of the artist’s sister’s husband.
Downtown, 1974
Acrylic on paper, 12 x 14 inches unframed. Initialled.
Framed by the James A. Richter Art Foundation.
City Buildings, 1975
Acrylic on canvas, 38 x 31 inches. Signed. Framed by the artist.
Winner of the Doris Kreindler memorial prize.
Untitled, 1975
Acrylic on paper, 31.5 x 26 inches unframed. Initialled. Framed by the artist.
Re-framed by the James A. Richter Art Foundation.
Kyoto, 1976
Acrylic on paper, 10 x 7 inches unframed. Signed with Richter’s asian monogram.
Framed by the James A. Richter Art Foundation.
The Market, 1977
Acrylic on paper, 32 x 22 inches. Signed. Framed by the artist.
Untitled, 1977
Acrylic on masonite, 16 x 13 inches. Not signed. Framed by the artist.
Untitled, 1978
Acrylic on canvas, 27 x 22.5 inches. Signed. Framed by the artist.
Beginning of Richter’s impressionism period.
Old Westbury, 1978
Acrylic on canvas, 28.5 x 24.5 inches. Signed. Framed by the artist.
Commissioned for the artist’s extended family.
Catania, 1978
Acrylic on canvas, 38.5 x 33 inches. Signed. Framed by the artist.
James Richter’s largest known work.
Truffle, 1979
Acrylic on canvas, 5 x 4 inches. Signed. Framed by the artist.
A miniature commissioned by his sister to paint a truffle.
He didn’t know what truffles looked like and painted mushroom instead.
Aetna, 1979
Acrylic on canvas. Not signed. Framed by the artist.
Painted on one of the artist’s numerous trips to Sicily.
Aetna, 1979
Acrylic on canvas, 35 x 29 inches. Signed. Framed by the artist.
Painted on one of the artist’s numerous trips to Sicily.
Realism period:
The decade of the 1940s
Cubism period:
The decade of the 1950s
Abstract period:
The decade of the 1960s
Synthesis period:
The decade of the 1980s